Pengakuan Sosial dan Nilai Pluralitas dalam Komunikasi Seni Lintas Busana Kontemporer

Geofakta Razali

Abstract


This research is a conceptual study that produces an understanding of pluralism that can be obtained through the communication actors of cross-dressing artists. This representation has an effect on the acceptance and acknowledgment of the plurality point of view in creating an attitude of respect for differences. Using the concept of recognition from Axel Honneth which provides an overview of social relations built on intersubjective grammar that influences human insight about differences. The researcher uses a qualitative method with a critical methodology to the form of practical dialectics and the theory of cross-dressing art performers, starting from their appreciation of themselves, and their communication behavior and social actions for a moral acceptance that is not in the realm of relativism or absolutism, but on recognition. So that intolerance can be reduced through an attitude of respect for the existence of others.


Keywords


Diversity; Pluralism; Cross-Clothing Art; Recognition; Intersubjective

Full Text:

PDF

References


Airton, L. (2018). Gender: Your guide. Adams Media.

Ardial. (2014). Paradigma dan Model Penelitian Komunikasi. Aksara.

Creswell, J, W. (2014). Research Design: Qualitative, Quantitative and Mixed Methods

Approaches (4th ed.). In English Language Teaching. 12(5). Thousand Oaks, CA: Sage.

Engkus, K. (2009). Fenomenologi, Konsepsi, Pedoman dan Contoh Penelitian. Widya Padjajaran.

Fakih, M. (2012). Analisis Gender & Transformasi Sosial. In Analisis Gender & Transformasi

Sosial (Issue September 2012).

Faturahman, B. M. (2018). Seminar Nasional Islam Moderat Pluralisme Agama dan

Modernitas Pembangunan. UNWAHA Jombang, 13.

Hanum, F. (2010). Gender Pemerintah Sleman 2010 Analisis Kesetaraan Gender Pemerintah

Sleman 2010. Universitas Negeri Yogyakarta, 1–15.

Imam Fathoni. (2013). Fenomena Drag Queen (Studi Dramaturgis tentang pelaku drag queen

di Restoran Oyot Godhong Yogyakarta). Departemen Sosiologi, FISIP, Universitas

Airlangga.

Jaeni. (2007). Dari Filsafat Keindahan menuju Komunikasi Seni Pertunjukan. 20.

Kekes, J. (2013). The Morality of Pluralism. In Journal of Chemical Information and Modeling

(Vol. 53, Issue 9). Princeton University Press.

Lubis, A. Y. (2015). Pemikiran Kritis Kontemporer. Dari Teori Kritis, Culture Studies, Feminisme,

Postkolonal, Hingga Multikulturalisme. PT. Rajagrafindo Persada.

Madung, O. G. (2014). Pluralitas dan Konsep Pengakuan Axel Honneth. Diskursus - Jurnal

Filsafat Dan Teologi STF Driyarkara Section. 13, 1–29.

Mead, G. H. (2018). George Herbert Mead Mind, Self, and Society. Forum.

http://wps.pearsoncustom.com/wps/media/objects/6714/6875653/readings/MSL_M

ead_Self_Society.pdf

Miller, K. (2005). Communication Theories: Perspectives, Processes, and Contexts. McGraw-Hill

Companies.

Muryani, W. T., & Putra, M. G. B. A. (2012). Hubungan Romantis Pada Pelakon Drag Queen

(Studi Kasus Pada Pelakon Drag Queen Homoseksual di Surabaya). 1(2), 92–98.

Poespowardojo, S., & Seran, A. (2016). Filsafat Ilmu Pengetahuan.pdf (2nd ed.). Kompas

Gramedia.

Purnama. (2018). Mengurai Polemik Abadi Absolutisme dan Relativisme Etika. Living Islam.

(2).

Rochman, M. M. & V. I. S. P. (2016). Fenomena Cross-Gender dalam Raminten 3 Cabaret

Show, Mirota Batik, Yogyakarta. E.Societas.

Seran, A. (2013). Emansipasi Sebagai Tata Bahasa Telaah Filsafat Moral Axel Honneth

Tentang Multikulturalisme. Arete, 02.

Tannenbaum, N. (2010). Gender Pluralism: Southeast Asia Since Early Modern Times by

Michael G. Peletz. In PoLAR: Political and Legal Anthropology Review. 33(2).




DOI:

https://doi.org/10.36441/mahardikaadiwidi.v2i2.1732

DOI (PDF):

https://doi.org/10.36441/mahardikaadiwidi.v2i2.1732.g765

Article Metrics

Abstract views : 129 times
PDF views : 142 times

Dimension Citation Metrics

Refbacks

  • There are currently no refbacks.